{"id":136,"date":"2005-10-06T22:36:00","date_gmt":"2005-10-06T22:36:00","guid":{"rendered":"http:\/\/adam.rosi-kessel.org\/weblog\/culture\/music\/bad_plus_rocks.html"},"modified":"-0001-11-30T00:00:00","modified_gmt":"1970-01-01T05:00:00","slug":"bad_plus_rocks","status":"publish","type":"post","link":"http:\/\/adam.rosi-kessel.org\/weblog\/2005\/10\/06\/bad_plus_rocks","title":{"rendered":"The Bad Plus Rocks"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/images.rosi-kessel.org\/bad_plus.jpg\" class=\"insetright\" \/> <\/p>\n<p> Last Friday, we saw <a href='http:\/\/www.thebadplus.com\/' title='The Bad Plus'>The Bad Plus<\/a> and <a href='http:\/\/www.colorandtalea.com\/' title='color and talea project mayhem'>Color and Talea<\/a> at the <a href='http:\/\/www.somervilletheatreonline.com\/' title='Capitol Theatre Somerville Theatre'>Somerville Theatre<\/a>. It was one of the best live shows I&#8217;ve seen in a long time. The two groups, while superficially similar in that they are both avant garde jazz\/funk influenced bands with similar instrumentation, were fundamentally different in influences and vibe. They were both quite innovative, though, and pushed boundaries in ways that felt really <em>fresh<\/em>. <\/p>\n<p> The Bad Plus was particularly remarkable live. I&#8217;ve been listening to their album, <a href='http:\/\/www.amazon.com\/exec\/obidos\/tg\/detail\/-\/B000087N0V?v=glance' title='Amazoncom These Are the Vistas Music'>These Are The Vistas<\/a>, for a long while, but I wasn&#8217;t prepared for the dynamicism and almost-falling-off-the-edge feeling of their performance. Rather than the typical &#8220;jazz trio&#8221; with two musicians performing backup rhythm section while the other one does an improvisational solo, the image that came to mind for me were three jugglers conversing on a party line. They created more combinations of three standard instruments than I thought possible. You don&#8217;t really pick up on it in on the album, at least not until after you&#8217;ve seen them live. <\/p>\n<p> I&#8217;m not sure who best to compare them with; there&#8217;s definitely some Keith Jarrett in there, but otherwise, I&#8217;m at a loss. Maybe Stravinsky, and Bach or Chopin. Their pieces feel more like &#8220;compositions&#8221; than most jazz, but somehow that doesn&#8217;t undercut the spontaneous feeling of it. <\/p>\n<p> <img decoding=\"async\" src=\"http:\/\/images.rosi-kessel.org\/bad_plus_suspicious_activities.jpg\" class=\"insetleft\" \/> <\/p>\n<p> Their new album (the fourth), <a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B000AA3020\/ref=nosim\/largeheartedb-20\">Suspicious Activities<\/a>, is even better than the first. They are masters of giving you <em>just enough<\/em> of a funky groove to get into it, and then sliding into something more free form, and then just when you feel like you&#8217;re about to lose your grounding entirely, they&#8217;ll slide back into the funk. Here&#8217;s a less-than-30-second clip from &#8220;Theme from Chariots of Fire&#8221; which is a good illustration: <a href=\"\/audio\/bad_plus_chariot.ogg\">ogg format<\/a> (388k) and <a href=\"\/audio\/bad_plus_chariot.mp3\">mp3 format<\/a> (697k). (For some reason, they called this &#8220;The Theme to Cagney and Lacey&#8221; in concert.) <\/p>\n<p> Most of the songs on Suspicious Activities have some accompanying narrative story, which is unusual for an instrumental jazz album. For example, &#8216;Rhinoceros is My Profession&#8217; is about a bullfight. After the matador slays the bull and is basking in adulation, the gate opens and a rhinoceros comes charging into the ring. Ethan Iverson, the pianist, introduced this story by saying (in a perfectly dry tone of voice), &#8220;If there&#8217;s one thing we in the Bad Plus all agree on, it&#8217;s our mutual disapproval of bullfighting.&#8221; Another song, &#8216;O. G. (Original Gentleman)&#8217; was originally intended to be a tribute to legendary drummer <a href='http:\/\/www.elvinjones.com\/' title='Elvin Jones Official Web Site'>Elvin Jones<\/a>, but since that was too ambitious a task, it ended up being about the lingering feeling in a donut shop after Elvin Jones has left the place. <\/p>\n<p> They also posted <a href=\"http:\/\/thebadplus.typepad.com\/dothemath\/2005\/10\/somerville_ma.html\">some odd photos of their visit to Somerville<\/a> on <a href=\"http:\/\/thebadplus.typepad.com\">their blog<\/a>. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last Friday, we saw The Bad Plus and Color and Talea at the Somerville Theatre. It was one of the best live shows I&#8217;ve seen in a long time. The two groups, while superficially similar in that they are both avant garde jazz\/funk influenced bands with similar instrumentation, were fundamentally different in influences and vibe. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[11],"tags":[],"_links":{"self":[{"href":"http:\/\/adam.rosi-kessel.org\/weblog\/wp-json\/wp\/v2\/posts\/136"}],"collection":[{"href":"http:\/\/adam.rosi-kessel.org\/weblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/adam.rosi-kessel.org\/weblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/adam.rosi-kessel.org\/weblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/adam.rosi-kessel.org\/weblog\/wp-json\/wp\/v2\/comments?post=136"}],"version-history":[{"count":0,"href":"http:\/\/adam.rosi-kessel.org\/weblog\/wp-json\/wp\/v2\/posts\/136\/revisions"}],"wp:attachment":[{"href":"http:\/\/adam.rosi-kessel.org\/weblog\/wp-json\/wp\/v2\/media?parent=136"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/adam.rosi-kessel.org\/weblog\/wp-json\/wp\/v2\/categories?post=136"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/adam.rosi-kessel.org\/weblog\/wp-json\/wp\/v2\/tags?post=136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}