{"id":563,"date":"2007-08-15T11:08:33","date_gmt":"2007-08-15T16:08:33","guid":{"rendered":"http:\/\/adam.rosi-kessel.org\/weblog\/2007\/08\/15\/reduced-to-quirk\/"},"modified":"2007-08-15T11:33:05","modified_gmt":"2007-08-15T16:33:05","slug":"reduced-to-quirk","status":"publish","type":"post","link":"https:\/\/adam.rosi-kessel.org\/weblog\/2007\/08\/15\/reduced-to-quirk","title":{"rendered":"Reduced to Quirk"},"content":{"rendered":"<p><a href=\"http:\/\/www.imdb.com\/name\/nm1337695\/\">Michael Hirschorn<\/a> in <a href=\"http:\/\/www.theatlantic.com\/doc\/200709\">this month&#8217;s Atlantic<\/a> reduces my generation&#8217;s entire cultural zeitgeist to a single word: <a href=\"http:\/\/www.theatlantic.com\/doc\/200709\/quirk\">quirk<\/a>.<\/p>\n<blockquote><p>Quirk, loosed from its moorings, quickly becomes exhausting. It\u00e2\u20ac\u2122s easy for David Cross\u00e2\u20ac\u2122s character on Arrested Development to cover himself in paint for a Blue Man Group audition, or for the New Zealand duo on Flight of the Conchords to make a spectacularly cheesy sci-fi video about the future while wearing low-rent robot costumes. But the pleasures are passing. Like the proliferation of meta-humor that followed David Letterman and Jerry Seinfeld in the \u00e2\u20ac\u212290s, quirk is everywhere because quirkiness is so easy to achieve: Just be odd \u00e2\u20ac\u00a6 but endearing. It becomes a kind of psychographic marker, like wearing laceless Chuck Taylors or ironic facial hair\u00e2\u20ac\u201da self-satisfied pose that stands for nothing and doesn\u00e2\u20ac\u2122t require you to take creative responsibility. Just because you can doesn\u00e2\u20ac\u2122t mean you should.<\/p><\/blockquote>\n<p>Hirschorn makes a fair point which, I think, can be restated that much of the content I enjoy is really just candy.<\/p>\n<p>The Atlantic seems to have recently figured out its readership (or at least figured out <em>me<\/em>).  <a href=\"http:\/\/www.theatlantic.com\/doc\/200709\/omnivore\">Hard to Swallow<\/a> (by <a href=\"http:\/\/en.wikipedia.org\/wiki\/Brian_Reynolds_Myers\">B.R. Myers<\/a>, who more typically writes about Korean issues) is a pointed moral critique of modern food lovers (<a href=\"http:\/\/www.chowhound.com\">chowhounds<\/a>?) and food writing (including Michael Pollan&#8217;s <a href=\"http:\/\/www.amazon.com\/gp\/product\/1594200823?ie=UTF8&amp;tag=womeandchilfi-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=1594200823\">The Omnivore&#8217;s Dilemma: A Natural History of Four Meals<\/a><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.assoc-amazon.com\/e\/ir?t=womeandchilfi-20&amp;l=as2&amp;o=1&amp;a=1594200823\" style=\"border: medium none  ! important; margin: 0px ! important; display: none\" border=\"0\" height=\"1\" width=\"1\" \/>, much read by my contemporaries).  If I weren&#8217;t already a vegetarian, I might take umbrage.<\/p>\n<p>&#8220;Insider baseball&#8221; pieces on <a href=\"http:\/\/www.theatlantic.com\/doc\/200709\/karl-rove\">Karl Rove<\/a> and <a href=\"http:\/\/www.theatlantic.com\/doc\/200709\/michael-gerson\">Michael Gerson<\/a> are also excellent, and in the case of the former quite timely.<\/p>\n<p>To wrap up this encomium, props to the magazine for its <a href=\"http:\/\/jamesbennet.theatlantic.com\/archives\/2007\/08\/a_note_on_the_new_design.php\">clean new website design<\/a>, which I believe premiered today, and for including an embedded Youtube video in the online version of the <a href=\"http:\/\/www.theatlantic.com\/doc\/200709\/quirk\">quirk<\/a> article.<\/p>\n<p><hints id=\"hah_hints\"><\/hints><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Michael Hirschorn in this month&#8217;s Atlantic reduces my generation&#8217;s entire cultural zeitgeist to a single word: quirk. Quirk, loosed from its moorings, quickly becomes exhausting. It\u00e2\u20ac\u2122s easy for David Cross\u00e2\u20ac\u2122s character on Arrested Development to cover himself in paint for a Blue Man Group audition, or for the New Zealand duo on Flight of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[18,12,38,11,14],"tags":[],"_links":{"self":[{"href":"https:\/\/adam.rosi-kessel.org\/weblog\/wp-json\/wp\/v2\/posts\/563"}],"collection":[{"href":"https:\/\/adam.rosi-kessel.org\/weblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/adam.rosi-kessel.org\/weblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/adam.rosi-kessel.org\/weblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/adam.rosi-kessel.org\/weblog\/wp-json\/wp\/v2\/comments?post=563"}],"version-history":[{"count":0,"href":"https:\/\/adam.rosi-kessel.org\/weblog\/wp-json\/wp\/v2\/posts\/563\/revisions"}],"wp:attachment":[{"href":"https:\/\/adam.rosi-kessel.org\/weblog\/wp-json\/wp\/v2\/media?parent=563"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/adam.rosi-kessel.org\/weblog\/wp-json\/wp\/v2\/categories?post=563"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/adam.rosi-kessel.org\/weblog\/wp-json\/wp\/v2\/tags?post=563"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}