Grimmelmann on PrawfsBlawg
Not to be missed: well-known enfant terrible James Grimmelmann is guest-blogging on PrawfsBlawg. His opening commentary on the relationship between law practice and computer science:
Practicing lawyers, like practicing programmers, are professional pragmatists. Both must make their cases (and case mods) out of the materials they have available; both starve or eat steak depending on whether their creations work. The day-to-day practice of law is unlikely ever to require much high theory. We can mourn that fact because it means that they look at us with suspicion, or celebrate it because it frees us to chase Truth and Beauty—and it will remain a fact either way.
Aside from the fact that I don’t eat steak, I think this is correct.
Via a commenter on James’ entry, I learned that the 7th Circuit Court of Appeals is implementing a wiki (the entry page could surely use some more content). Surprisingly, it was not Posner but Easterbrook who spearheaded the effort. This is a very interesting development, but I expect it will be quite a while before any other circuit takes up the idea.
Finally, I have been meaning to write about this New York Times story describing Jonathan Coulton’s success as a musician breaking with the traditional distribution /promotional channels (via 43 folders, a productivity blog that is still on my “probation” list). Unfortunately, slashdot beat me to it. I first re-discovered Jonathan Coulton during his guest episode of the Show with Ze Frank. In any event, the article is well worth reading:
More than 3,000 people, on average, were visiting his site every day, and his most popular songs were being downloaded as many as 500,000 times; he was making what he described as “a reasonable middle-class living†— between $3,000 and $5,000 a month — by selling CDs and digital downloads of his work on iTunes and on his own site…
Coulton realized he could simply poll his existing online audience members, find out where they lived and stage a tactical strike on any town with more than 100 fans, the point at which he’d be likely to make $1,000 for a concert. It is a flash-mob approach to touring: he parachutes into out-of-the-way towns like Ardmore, Pa., where he recently played to a sold-out club of 140….
In total, 41 percent of Coulton’s income is from digital-music sales, three-quarters of which are sold directly off his own Web site. Another 29 percent of his income is from CD sales; 18 percent is from ticket sales for his live shows. The final 11 percent comes from T-shirts, often bought online…